Hoffmann, C. H. 2002. Intelligence in Light of Perspectivalism: Lessons from Octopus. Ital Publishers
May 18th 2023 to
November 26th 2023
Venice Architecture Biennale
When we eat, we digest territories,
Foodscapes is a journey into the architectures that feed the world; from the domestic laboratories of our kitchens to the vast operational landscapes that nourish our cities. at a time when energy debates are more pertinent than ever, food remains in the background, yet the way we produce, distribute and consume it mobilizes our societies, shapes our metropolises, and transforms our geographies more radically than any other energy source.
Through an audiovisual project of five films, an archive as a recipe book and a public program of events and collective research, foodscapes explores the present of our food systems to look to the future and wonder about other possible models; ones capable of feeding the world without devouring the planet.
From Flesh to Data is a commission for Foodscapes, the curatorial proposal for the Spanish Pavilion at the 18th Venice Architecture Biennale, curated by Eduardo Castillo-Vinuesa and Manuel Ocaña.
Seen from the air, Spain’s northwest coast is full of entrances and exits, estuaries, and firths where hundreds of rivers meet the sea, like tentacles or watery arms that connect the marine and the terrestrial. These two masses form a complex landscape carved in stone, filled with water, and lashed with strong winds and heavy storms. Such an intricate and sinuous relationship between two worlds (ocean and land) produces one of the most fascinating regions in the country, a universe with an immense diversity of life forms, but also of cultures, stories, and mythologies. The territory is itself a great organism, a non-human body that changes, digests, breathes and thinks. Yes, it thinks, with a strange brain composed of mineral and salt, of vegetation, moss, lichens, and other species from the different kingdoms that populate its tissue.
If we follow a general definition of “intelligence” as the capacity for abstraction, self-awareness, learning, and emotional knowledge, or as the ability to perceive or infer information and to retain it as applied knowledge, we could say this landscape not only thinks but that it is fully intelligent. Perhaps this term, intelligence, a quality unfairly appropriated by human beings, lies at the center of multiple contemporary crises, delaying and precluding new ways of multispecies existence on our severely damaged planet.
There are many questions that we must ask when faced with the belief that only our way of reasoning shapes the standard of intelligence for every organism (or superorganism, like an ecosystem). So who is, or what is intelligent? What are the material conditions necessary for intelligence to emerge? And who has the authority and heuristics to contend that another being is or is not intelligent? To many other contemporary thinkers, intelligence is everywhere, from the flying spores that reproduce plants to the pores on the skin of mammals: from the legs of insects to the sounds of whales.
Intelligence is life in action, its infinite forms, and relationships. It is not only that the world, Gaia, is itself intelligent, but rather that intelligent world. It is the process that makes up the semiotic-material environment of which we are a part (we are not “surrounded” by a milieu, we are that milieu). If we want to rethink post-anthropocentric relations with otherness, propose new forms of coexistence, and face ecological problems, perhaps we should start by abandoning the idea that intelligence is human only. And we need to do it for real. To fully understand and appreciate non-human intelligence, we have to embody that change of view.
The very term, intelligence, is every day more entangled in our contemporary culture. We link it to technology, data management, and production systems, which must be uprooted, claiming instead other ways of inhabiting the world that think with-in-the-world, make worlds, world worlds themselves, and infuse them with meaning in a way that exceeds human standards and models. One way to get around the problem of intelligence could be to eliminate the term altogether (along with many others), as some radical behaviorists believe. This full erosion of the term, although extreme, raises questions not only about how it is used, but also about all the associated ideas, behaviors, or characteristics that emanate from a structurally speciesist, masculinist, western, and extractivist perspective.
Decentering the anthropos is not enough to overcome the lethal ideals of humanism in favor of a genuine multispecies alliance based on the productive and immanent force of all human and non-human life on Earth. What is crucial is a profound reconceptualization of subjectivity that does not confuse it with rational and conscious human autonomy, or with neoliberal, self-referential, and self-indulgent individualism but recognizes our historical, material, and situated embeddedness with non-human agents as always already constitutive of our dynamic identities. We need to visualize the subject as a transversal entity encompassing the human (including the millions of symbiotic microorganisms that compose it), animals, fungi, plants, bacteria, and the planet as a whole.
As with the rest of the cephalopods, octopuses lack a torso or intermediate part. Their tentacles appear directly next to their head. Their soft body is capable of rapidly changing shape and texture, allowing them to slip through small ducts or cracks. With a complex nervous system and excellent eyesight, they are considered one of the most “intelligent” and behaviorally diverse invertebrates. But still, even when they are said to possess a very complex “alien intelligence,” their cognition is generally evaluated against a human or humanized quality, expected to perform certain actions that resemble us in ways deemed valuable by an all-too-human set of priors.1 Maybe we fail to see, without our narcissistic precondition, the complex intelligence that these beings (as every other being, each in its own terms) enacts. And in that sense, we have to abandon the idea of linear, purely abstract, language-based, human thought, and go on to explore other “strange” ways of being intelligent that --like ours, really-- are embodied and embedded.
Octopuses are non-human. They are “strange.” Both these tentacled critters and the dark hollowed caves they inhabit seem to us uncanny and monstrous, and yet they are not alien, they are “natural,” if this concept still bears any meaning at all. As Morton would argue, “there is no static background. What we call "Nature" is monstrous and mutant, strangely strange to the end.” 2 Strangeness is a concept that still designates what is allegedly separated from the human, creating a division, an artificial abyss that disconnects us from the world. But nature has never been natural and we must accept our own monstrosity. There are no environments isolated from the organisms that compose them, and that includes octopuses as much as it includes us.
Octopuses have been the protagonists of numerous cautionary tales about the dangers of the ocean. According to many narratives from across the world, these monstrous entities are nothing like us – they live and exist in a realm beyond our control, however much this may clash with the image of a human disaffectedly ordering Polbo á feira' at any bar. If today they have been reduced to a commodity, historically they populated our fears and nightmares. The kraken is the manifestation of this animal turned into a monster, translated from different cultures into a humanized product of tremendous size, with a reputation for crashing ships and pulling them down to the bottom of the sea.
How can we challenge this narrow perspective and challenge the opposition to the monstrous? How can we think with the monstrous, from the point of view of the other (including the other within), avoiding the implicit violence and heroic narratives in which the human subdues animality, conveniently depicted as a threat? For that, we must not only change and expand our idea of intelligence but also transform the place of the non-human, in-human, more-than-human, and other-than-human in our all-too-human stories. What if the kraken, instead of death-driven, accompanies our marine voyages? What if rather than sinking ships it is capable of showing the infinite other forms of knowledge and diversity that live in the wondrous depths?
Fragment #1 Generated by ChatGPT Prompt: “Could you write a story about a human-octopus hybrid?”
Once upon a time, there was a hybrid creature named Octo-Human who lived in a world where octopuses were farmed for their ink and other purposes. Octo-Human had 4 tentacles, a human head, and octopus skin, which allowed them to blend into their surroundings and move quickly both in water and on land. They also had a keen sense of their environment, and their camouflage ability was so advanced that they could not control it, making them nearly invisible.
One day, Octo-Human became aware of the dire situation of farmed octopuses and felt a deep compassion for their suffering. They knew they had to do something to help, and so they set out on a mission to save as many farmed octopuses as possible. Octo-Human traveled far and wide, seeking out farms and freeing the captive octopuses. They used their incredible intelligence and problem-solving skills, honed by their unique blend of human and octopus DNA, to navigate complex systems and avoid detection by the farmers.
Eventually, word of Octo-Human's mission spread, and other beings, both human and non-human, joined the cause. Together, they formed a team dedicated to freeing all farmed octopuses and ending the cruel practice once and for all. Thanks to their efforts, the farmed octopuses were finally freed and able to live in their natural habitats, free from harm. Octo-Human and their team continued to work towards a more just and equitable world for all creatures, including octopuses, humans, and all other beings.
As science philosopher Vinciane Despret might ask, what would octopuses say if we asked them the right questions? By arguing that behaviors we identify as distinctly human do not properly belong to us, she invites us to stretch our ideas about what animals do, what they think about, and what they want and value. There is no single attribute that belongs to all humans and humans only, be it abstract thought, technology, language, aesthetics, non-reproductive sex, ethics, or anything else.
Octopuses are the only animals that have a portion of their brain (three-quarters, to be exact) located in their tentacles. Every one of their eight tentacles “thinks” as well as “senses” the surrounding world with total autonomy, and yet each arm is part of the same organism. They are beautiful creatures, an incredible species that borders on the fantastic, displaying qualities that seem taken from a science fiction novel and, in fact, have informed several of them, animating all kinds of benign and evil tentacular monsters in literature. In her text “The octopus in love,” curator Chus Martinez describes how such beings enable us to imagine a form of decentralized perception and cognition, enabling us to understand the world in ways beyond human language.
Octopuses are animals with short lifespans and minimal social interaction, a contradiction of the idea that high intelligence demands regular interaction with other beings. The essence of octopus intelligence lies in their ability to adapt to their environment. This competence relates closely to the loss of their protective shell in the course of evolution, allowing greater freedom of movement and flexibility at the price of newly exposed flesh.
Fragment #2 Generated by ChatGPT Prompt: “What would the octopus say with its own ink?”
The ink of the octopus is used to write stories and express feelings. What would the octopus say with its own ink? It can express its emotions and thoughts, as well as its desires and dreams. The ink of the octopus is a powerful tool for communication and expression.
The octopus can also use its ink to create beautiful works of art. It can use its ink to draw intricate patterns and shapes or to create abstract images that are full of emotion. The octopus has the ability to communicate its feelings and thoughts through its ink.
When not characterizing octopuses as either “dumb nature” or hyper-intelligent beings, humans have been trying to catch them and eat them. To speak of octopuses and their relationship with the tentacular landscapes of the northwest Spanish coast is to speak about fishing and gastronomy, and about regimes of eating-the-other. In Spain, the marketing of octopuses dates back to the 12th century when monks of the Cistercian order were paid for the use of their properties not only in money but also in spices, including octopuses. Traded dry and in small pieces, they thus became currency of exchange.
A major event in coastal fishery was the introduction of traps. The use of these traps, or nasas, in Galician coastal economies has been documented since the 16th century.6 Of the many forms of fishing pots, the octopus catcher is one of the most complex. Net boxes, submerged ropes, and wicker tubes are not effective for them as due to their advanced intelligence they can easily empty the bait holder of its contents and flee. A plastic tube is placed between the ropes and knots of the fishing trap, the outer hole of which allows the entry of the animal. Their technicity and complexity go hand in hand with the species’ problem-solving skills, which challenge the designs and structures developed to trap them – an artificial architecture where the animals end up exhausting themselves, unable to escape, dizzy inside the plastic tubes and polished holes of the cage.
This form of octopus farming continues to evolve in the need to cover increased demand. Today, large-scale cultivation centers are being planned in response to an aquaculture boom that once again raises complex questions. These new octoculture farms will expand the capacity of companies to distribute octopus meat around the world. Again, intelligence is at the heart of the discussion, as many of the fish farms being planned will be managed with complex computer systems and artificial intelligence.
Fragment #3 Generated by ChatGPT Prompt: “Can you imagine a scenario in which an octopus farm raises humans?”
No, it is unlikely that this scenario of octopuses farming humans could be true if the roles were reversed. While animals like octopuses have demonstrated remarkable cognitive abilities, they do not have the capacity for advanced organization and planning, nor the technology and infrastructure to farm other species. Furthermore, the concept of farming and exploiting other species goes against the principles of ethical and humane treatment of all living beings.
In 2024, thousands of octopuses will begin to live and die inside the world’s first octopus farm on the Canary Islands. Little is known about the conditions in which they will spend their days and nights, how many will share each tank, and how large those vessels will be. Neither is it known what their diet will consist of and how they will be slaughtered because the company responsible for the project maintains this data, which is being calculated by computers and AI systems, claiming that such complicated control systems benefit the animal’s well-being. But, in line with mass food factories, the logarithmic computer brain supposedly controlling living conditions might decide based on parameters such as profitability, productivity, and efficiency, unmasking the slow violence of large-scale production systems. It is worth asking again: how does the intelligence that now controls our production systems operate? What is its agency?
Artificially intelligent beings have appeared as storytelling devices since antiquity, and have been common in fiction from many different cultures across time, generally as anthropomorphic characters, like the android or golem, raising many of the same issues that are being discussed in contemporary debates about the ethics of AI. But the study of mechanical or “formal” that lead up to Alan Turing's theory of computation, suggests that a machine, by shuffling symbols as simple as “0” and “1,” could simulate any conceivable act of deduction. By the 1950s, different visions for how to achieve machine intelligence emerged. Concurrent discoveries in neurobiology, information theory, and cybernetics, led researchers to consider the possibility of building an electronic brain – a machine that thinks, or one that can learn and innovate.
Research in artificial intelligence has grown exponentially, taking it to all fields of knowledge, the sciences, and the arts. Today, AI is everywhere. Machines attempt to predict the future. They reason, learn, create, and act by manipulating data whose scale exceeds that which individuals or groups of humans can analyze. And it’s being tested in the industry in the service of large projects and new infrastructure. The underwater world is a new frontier for big corporations to develop technological centers as its pressure and temperature are more stable and energy efficient than at the surface. In other words, technology on land is exposed to many more external factors than at the bottom of the sea. And thus, the underwater world, once a place for mysterious creatures and mythologies, is becoming increasingly populated with heavy machinery like data servers that need to be cooled.
Fragment #4 Generated by ChatGPT Prompt: “What would an artificial intelligence designed by an octopus look like?”
It is not possible to accurately predict what an artificial intelligence designed by an octopus would be like, as octopuses do not have the capability to design or create technology. If we were to imagine a scenario in which an octopus could influence the design of an AI, it would likely be significantly different from current AI systems that are created by humans. Octopuses have unique cognitive abilities and perceptions of the world, so an AI influenced by an octopus may have novel approaches to problem-solving, decision-making, and interactions with the environment.
From animal farms to submerged data centers, the ocean is becoming a new landscape for production. In both cases, the sea becomes a new brain for non-human intelligences that are tested out of sight by most humans. Turned into a new cyborgian space between water currents, schools of fishes, lichen, and algae, our coasts will be a new zone in which to question the term intelligence: what it means and to whom or what it applies.
The use of predictive technologies and AI surveillance accounted for what artist Hito Steyerl calls “digital stupidity.” It’s a funny phrase, but its consequences can be dire. Contact tracing algorithms used, for example, during the Covid-19 pandemic early states, have been known to misidentify people, wrongly select virus carriers, and make mistakes in automated processes.7 Artificial intelligence needs parameters and data with which to operate, and these, generated by human beings, are fully ethically and politically charged. Certain AIs are defined as being operationally racist or sexist since the databases from which they extract material (information compiled both by government agencies, but also through private statistics, mass media, etc.) before being processed are rooted in extractivist, colonial, binary, and excluding structures (for instance, particularly in early stages of AI image recognition, since there existed a bigger database containing pictures of white people, for which the internet was simply more accessible, it was more likely that these technologies identified white people as human than Black, Indigenous, and People Of Color). Therefore, an AI is not, nor can it ever be, neutral. In his research project “Excavating AI” artist Trevor Paglen explores the politics of images in machine learning training sets and investigates how our human cultural biases influence machine learning.8 So maybe the so-called intelligence of IA is our own species' stupidity, recombined.
Fragment #5 Generated by ChatGPT Prompt: “What are the ideal structures and architecture to farm raise octopuses?”
The ideal tank for raising an octopus will vary depending on the species and the intended use of the animal. However, some general principles that should be followed when designing and maintaining an octopus tank include:
Appropriate size: The tank should be large enough to provide adequate space for the octopus to move and explore, with enough room to separate the animal from its food and any other animals in the tank.
Suitable water quality: The water should be kept clean and properly filtered, with appropriate temperature, salinity, and pH levels, to maintain the health and well-being of the octopus.
Adequate filtration: The tank should be equipped with a good filtration system to remove waste and keep the water clean and well-oxygenated.
Structural complexity: The tank should include a variety of structures, such as rocks, caves, and other hiding places, that allow the octopus to explore, hide, and express its natural behaviors.
Lighting: Octopuses are nocturnal animals, so the tank should be kept dimly lit, with low levels of light provided by LED lights.
Monitoring and maintenance: The tank should be regularly monitored and maintained to ensure the health and well-being of the octopus, including checking the water quality and replacing it as needed.
It is also important to note that different species of octopuses have different needs and requirements, so it is important to research the specific needs of the species you are raising, and consult with experts in octopus care, to ensure that the tank is appropriate for the species in question.
The ideal architecture for an octopus would depend on several factors, including the species of octopus, its natural habitat, and the goals of the keeper or researcher. In general, an ideal architecture for an octopus would provide a safe and secure environment that allows the animal to exhibit its natural behaviors and provides adequate space, temperature control, and water quality. The architecture would also provide for the maintenance of proper water chemistry, adequate lighting and filtration, and access to food and other resources.
If the octopus is being kept in a captive environment, such as a research facility or aquarium, it may also be important to consider the needs of the keepers or researchers, such as ease of access for maintenance and observation, and the ability to control environmental variables for experimentation or study. Ultimately, the ideal architecture for an octopus will depend on a variety of factors, and will need to be tailored to the specific needs and circumstances of each individual animal.
When understanding the newly blurred boundaries between the human animal, the non-human animal, and machines, it is necessary to rethink not only the idea of intelligence, but also nature and wilderness. Rethinking our non-human relations can’t involve a reinterpretation of the living creatures called ‘‘animals’’ only, but also another concept of the machine, of the semiotic machine of artificial intelligence, of cybernetics and bioengineering, and of the genic in general.
Fragment #6 Generated by ChatGPT Prompt: “Why do we value wildlife more than farm raised life?”
This is because wild life is seen as more natural, unaltered, and sustainable. Additionally, there is often a perception that wild animals live in better conditions, have more diverse diets, and are more adapted to their environment. On the other hand, farm raised animals are often seen as being raised in controlled and unnatural environments and may be subject to inhumane conditions. These factors often contribute to the perception that wild animals are of higher value than those that are farm raised. Humans may have a fascination with wild animals due to the idea of their natural existence and their ability to survive in the wild without human intervention. This can be seen as a symbol of strength, resilience and freedom. Wild animals may also evoke feelings of awe, wonder, and mystery. Additionally, wild animals are often associated with adventure and excitement, which can add to their allure. Furthermore, some humans see wild animals as being closer to nature, which they may view as being pure, uncorrupted and closer to the essence of life. Generally speaking, wild animals are considered to have more freedom and are therefore seen as being more valuable, while captive animals are seen as being less valuable. However, this view is not universal and many people believe that it is not fair to treat any animal differently based on where it lives or how it was raised. Ultimately, the question of fairness is subjective and depends on individual values and beliefs.
The monster has both tentacles and flesh, microchips and processors. It is neither natural nor artificial, it lives in the nooks and crannies of the depths but also in the metallic and plastic boxes of submerged computers. It lives and thinks between creatures on the seabed, among myths and data clouds. The monster is everywhere, we are now the monster, and we are living in monstrous times. We no longer have to continue chasing the dream of a world without us: we must inhabit responsibility and materialize new forms of coexistence for the human-animal-machine.
Faced with an imminent and undeniable ecological crisis, the search for a solution and the call to change our current habits sometimes find themselves set back in the form of a utopian dream. This dream takes the form of nostalgia for a mythologized past, an Edenic state of existence in which humans lived in harmony with nature. However, as William Cronon writes in his article "The Trouble with Wilderness: Or, Getting Back to the Wrong Nature," such an approach is flawed since it is based on the idea of a mythical boundary separating supposed inherent knowledge from nature of today’s society, a society that has lost access to this knowledge through the colonial act known as “civilizing.” We are now civilizing the oceans, colonizing its entrails and manufacturing creatures under our parameters and needs. So we may as well abandon the romanticized idea of wilderness that actually led towards its domination.
Jack Halberstam picks up where Cronon’s article left off in exploring the wild by further criticizing its colonial definition. Wild Things: The Disorder of Desire (2020) describes what the wild is not: “The wild is not the territorial equivalent of freedom […] the wild has its regulatory regimes, its concept of order, and its hierarchies and modes of domination.”10 Focusing on the epistemology of savagery, Halberstam argues that in its purest form savagery is a way of existing outside of borders and order, while denying any attempt to impose such order.
Fragment #7 Generated by ChatGPT AI Prompt: “Could you be more specific about what an octopus would write with its own ink?”
No, an octopus cannot use its own ink to write a story. Octopus ink is primarily used for defense and camouflage, not for writing. Octopuses do not have the ability to control the release of their ink to form letters or words. Additionally, the ink is not a suitable medium for writing as it would quickly spread and blur any writing it was used for. No, octopuses cannot draw as they do not have the cognitive ability to create or control intricate shapes or forms. Their ink release is a reflexive behavior used for defense and camouflage, not a tool for artistic expression.
If an octopus could write, it might express the following:
Awe at the vastness and beauty of the ocean: An octopus, with its deep sea perspective, would likely write about the awe-inspiring majesty of the ocean, the diverse life forms it contains, and the complex relationships that exist between species.
Thoughts on its own abilities: An octopus, with its remarkable powers of camouflage and problem-solving skills, might reflect on its own intelligence and abilities, and express wonder at its own uniqueness.
Appreciation of other creatures: An octopus, with its social behavior and observed acts of compassion, might write about its appreciation for other creatures in the ocean, and the importance of preserving the delicate balance of life in the sea.
Reflection on the impact of humans: An octopus might write about its observations of humans and their impact on the ocean, such as pollution and overfishing, and call for greater awareness and action to protect the seas
Octopuses live in warmer waters, oceans turned into fabrics and farms, increasingly colonized, and exploited. They, therefore, deserve to be given a new ontology, greater empathy, and a sense of kinship. Following Despret, what if octopuses, as early believers in metempsychosis, were frantic not to be able to guarantee the reincarnation of their souls due to overfishing and ocean pollution? And what would happen if in a future managed by AI and logarithms, a farm’s animal care system failed, overcrowding their cages? What if the floodgates opened, what will wild octopuses think of their captive-bred mates? How will these science-breed animals approach the submerged data factories, with their emanations of heat and their metallic skins? Will they be angry, curious, afraid…?
If we are creating a new kind of octopus, as its cultural behaviors will be coupled with the captive environments, we need to consider an alternative form of knowing something more about them and how to look back, perhaps even scientifically, biologically, and therefore also philosophically, and intimately. In this new cyborgian landscape, maybe the dreams of octopuses recreate previous states of the cliffs, of the rock that housed their ancestors. Or maybe their dreams will be populated with data flows, colored squares of species recognition, machine learning algorithms, and plastic surfaces. To think of the new octopuses’ dreams, to think with monsters, to unthink far from human intelligence are possibilities for de-emphasizing human exceptionalism in favor of multispeciesism, of ecology. We, as humans, need to rethink cohabitation, coevolution and embodied cross-species sociality inside the troubled waters of contemporaneity. These newly bred octopuses can maybe show us the importance of recognizing differences, embracing strangeness, and engaging with significant otherness.
When I think about Galicia, my mind drifts to rugged coasts, soaring waves narrowing down sharp ballasts, and the brave and wild creatures that inhabit its never-ending caves. The landscape of my grandmother’s homeland has always been an inspiration not only to my practice as a historian but especially to my lifelong hobby, which is cooking.
I would like to share with you the recipe and story behind one of Galician gastronomy’s traditional dishes: Pulpo a feira or polbo á feira. Stories of valorous women sewing fishing traps or traveling with their wooden carts and carrying heavy copper pots filled with this food --for many, a delicacy-- have been a long-standing garnish to my meal times during holidays in Galicia. The relationship developed on the uppermost west coast of Spain with this creature has given shape to their culture, narratives, popular tales, and even mythologies. As my grandmother used to say, “it is in the interior of Galicia where we eat the best octopus! She wasn’t lacking any truth as it was widely common to see “pulpeiras” attending the cattle fairs of the inner provinces of the region, all surrounded by their copper pots, boiling water over their handmade bonfires, serving their octopuses hundreds of kilometers away from their fishing spots. The story behind this curious fact goes back as far as 1112 AD when the Spanish landlord Diego Arias was awarded a gift for their loyal services to the crown. He inherited the royal preserve of Marín, a small port settlement located in the now-known “Rías Baixas” region, next to Pontevedra. It was because of his later widowhood that he decided to become a Cistercian monk at the monastery of Oseira, right in the Ribera Sacra region. He was then obliged to renounce all material possessions in favor of the monastery, including all tributes paid by the fisherman living on his land. It was because of the ease of transport and distribution that the fishermen started paying their tributes with dried octopuses. And so then, octopus meat started spreading all over the region. As you could imagine, this dish wasn’t much of a monk’s diet and was quickly passed on to their worshippers, either as a gift or to be later distributed. Well, those old worshipers became what we commonly know as pulpeiros and pulpeiras. A fun fact behind these laborers is that the old wooden carts on which they covered the Galicia stone trails were said to make their product especially tender under such bumpy roads. Looking back, I like to think of that old monastery of Oseira to be some kind of inspiration for the new octopus farms, almost like an old-styled distribution center for this recipe to be exported.
As time went by, the old conventional way of fishing octopus has been slowly perishing. Only a handful of old fishermen are loyal to the tradition, supplying their catch to neighbors and friends. Since the vast majority of the product that people consume nowadays comes from newly installed octopus farms, the old habits of softening its hard meat --mainly, by hitting it repeatedly, and strongly, against a surface, like a stone or a thick wooden board-- are less and less common. Luckily for those who eat these animals but are appalled by these methods of explicit violence against the dead or living octopuses, the “calm” water tanks, the monitored temperature and acidity, and the controlled seasonal flow of their engagement are transforming the preparation of this dish into something much more friendly to their kitchens… at least, on a superficial level.
The preparation of this recipe has also changed in the last decades. Originally, when using a wild-trapped octopus, it had to go through a process of freezing and slow de-freezing in order for all its inner nerves and fibers to break. After that, the octopus had to be submerged three consecutive times for three seconds each in boiling water. With this quick change of temperature, the skin wouldn’t stick to the muscles providing us with tight purple skin serving. But this gesture was traditionally also symbolic, as it was referred to as “frightening” or “scaring” the octopus, a process itself quite mysterious (what did the octopus need to be scared of, even after death, or why was it thought that it had to be frightened at all?). In the context of the religious origin of the recipe, the three dips were understood as a sort of baptism. Thus, while submerging the octopi, the cook had to say out loud: “In the name of the Father, the Son, and the Holy Spirit”. Luckily for you, if, of course, you are interested in preparing this recipe and the product that you are using comes from an aquaculture farm, the meat will be already tender thanks to the gentle water provided by the controlled tanks. You can then avoid all the beating and/or freezing of the product unless you enjoy doing it for independent reasons. Anyway, something I do recommend you do when using this new kind of product is to buy and add fresh bottled seawater. There are many brands now offering this wildly flavored water that will help give that “wild” kick to the taste of farmed octopuses, even if it is already too late for them to appreciate or realize.
So, leaving its history to the side, here is the recipe for this Galician piece of gastronomy now accessible everywhere in the world thanks to the octopus farms.
Ingredients for 4 people:
1 Fresh farm octopus (2Kg)
5 l sea bottled water
3 leaves of bay
Sweet smoked paprika
Preparation time: 10 min
Cooking time: 40 - 50 min
Nutritional Facts: 106 kcal / 16gr protein/ 4,73gr fat
Remove the octopus from the packaging and let it rest on a plate. There is no need to wash it since farm octopuses are packed and ready to cook. Empty the bottled seawater in a big pot, and heat. Add the bay leaves.
When the water starts to boil, grab the octopus holding it by the head, and introduce it into the boiling water. As it is a farm octopus we can skip the traditional “frightening” process.
Keep it at medium heat, maintaining a moderate boiling for approximately 30 to 40 minutes. The time will depend on the size and weight. It is best to check the point of the meat with a pointer. During cooking, turn and move the octopus to make sure it is evenly cooked.
Once the octopus is tender, remove it from the water and let it rest for about 15 minutes before cutting it. Once the fire is off, introduce a wooden plate in the seawater.
After the resting time, cut the tentacles into pieces approximately 1 centimeter thick. Make sure to cut it with scissors. Distribute the pieces evenly on top of the wooden plate
Drizzle with virgin olive oil, sprinkle with coarse salt and a little sweet or spicy smoked paprika. Serve immediately.
NOTE: This recipe is based on a fresh octopus farm. If you were to have a fresh wild octopus, please follow traditional instructions. You can find the details in the article above.
Hoffmann, C. H. 2002. Intelligence in Light of Perspectivalism: Lessons from Octopus. Ital Publishers
Morton, Timothy. 2012. Ecological Thought. Harvard University Press.
Despret, Vinciane. 2016. What Would Animals Say If We Asked the Right Questions?. University of Minnesota Press.
Martinez, Chus. 2013. “The Octopus in Love”, e-flux journal #55.
Hoffmann, C. H. 2002. Intelligence in Light of Perspectivalism: Lessons from Octopus. Ital Publishers
Bañón, R., Otero, J., Campelos-Álvarez, J. M., Garazo, A., & Alonso-Fernández, A. 2018. “The traditional small-scale octopus trap fishery off the Galician coast (Northeastern Atlantic): historical notes and current fishery dynamics”. Fisheries Research, Vol. 206: 115-128.
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