Studies
Registrations Open
Postnatural Independent Program 2023

The first edition of the Postnatural Independent Program (PIP) will explore the new implications of postnature as a framework for contemporary creation. In the form of an experimental educational platform, we will speculate and question not only contemporary ecologies but also new academic approaches and radical notions of learning together.

2023/02/01 2023/07/16
Registrations Open
Seminar
Hydro Futures / Memory Ecologies

Hydro Futures / Memory Ecologies is a program in which to explore the relationship between Afrofuturism and ecological thinking. Afrofuturism is a means to redefine the connections of land and space and to imagine kinships that can become technologies (as a way of connecting people), through water as an archive and time travel.

2022/11/29
Registrations Open
Seminar
Xenoxenoxeno

We will play with the political potential of imagining new worlds through academic research and artistic proposals. In the process of creating desirable futures and collaborative healing, we may find unexpected joys that unite us in the contemporary ecological crisis. This experimental seminar requires active participation.

2022/11/17 2022/12/22
Ongoing
Seminar
New Ecologies: Decentralizing the human through contemporary practices

This seminar will examine the glossaries that characterize new ecologies, analyzing inter-species articulations, cultural productions, ecological awareness, and the challenges of artistic, design, research, and curatorial practices in today’s climate crisis.

2022/10/19 2022/11/23
Ongoing
Seminar
Mutability & Mutualism Vol. II

At the scale of the individual—the organism—Queerness is mutability: it is the power of transformation; of shapeshifting, fluency, and the freedom to move from form to form; of code-switching, mimicry, flamboyance, delight; of subtlety, grace, and the embrace of fluidity. It plays in contrast to rigidity, permanence, and stasis; to one way of being. It is a metamorphosis and a constant becoming.

2022/10/18 2022/11/22
Seminar
Critical Earth Browsing: Virtual Postnatural Landscapes

We want you to travel and think with us. We invite you to be part of our first virtual research group. Join us in the browsing and investigation of some of the most interesting, complex and intriguing postnatural landscapes through six virtual journeys.

2022/06/22 2022/07/27
Seminar
Mutability & Mutualism

To make sense of the broad constellation of practices that emerge from Queer Ecology, we examine at two scales: the individual and the collective. As we explore, the binary distinction between these scales quickly blurs and blends.

2022/05/17 2022/06/18
Seminar
Encounters at the Edge

We believe that "the edge" can be one experimental space, and "thinking at the edge" one of the practices to enable us to open the possibility of thinking and imagining beyond the categories and boundaries that hold us captive.

2022/02/11 2022/09/15
Seminar
Postnature and Contemporary Creation

The idea of a romanticized nature as a background scenario or neutral framework where human activity takes place is no longer valid and must be replaced by a broader and more complex reflection.

2021/04/20 2021/06/08
Seminar
After the Future

This seminar consisted of theoretical and practical sessions that allowed us, by guiding us through different case studies, to prepare ourselves to resist the present and thus create a new earth for the world to come.

2020/10/20 2020/12/15
Design
Seminar
Acidic Waters

he seminar will have six sessions, which will focus on different aspects from which speculation can lead us to a fluid and proactive practice through this watery medium. Designers, writers, thinkers and creatives will share their practices and thinking during the conversations, open to participants, in order to understand the urgency of incorporating design processes into the contemporary ecological debate.

2022/03/31 2022/05/05
Seminar
Echoes of the South

In the seminar Echoes from the South we will delve into research and practices that analyze and propose responses to the mechanisms, manifestations, representations and consequences that the colonial enterprise has provoked, from its beginnings to the present day, through the subjugation of nature as a commodity for the pursuit of its economic and political interests. Six authors will give voice to pre-existing and coexisting ontologies in different contexts, vindicating other histories that have been annulled through Western models.

2020/10/07 2020/11/11
Research
Open Call
Composting Fields #3

Composting Fields proposes an experimental format of knowledge production whose aim is to give space to the work of young thinkers and artists. By the creation of a safe working space, it generates a collective exchange around a specific work. This process materializes in a performative video that illustrates the relationship between the thesis, the process of sharing and its links to Visual Culture.

2022/11/11 2022/12/04
Exhibition
Soft Matter, Deep Time

Through interventions in specific places in the environment and a series of devices that blur the natural and cultural lines, we invite the experience and estrangement to be part of a complex ecosystem. Soft Matter, Deep Time activates a multi-species framework where biology, geology, and fiction dissolve.

2022/06/30 2022/07/02
Exhibition
A Green Jade Lake

Through themes such as coexistence, botany, territorial politics, or aesthetics associated with the representation of nature, the exhibition is understood as a constellation of investigations, installations, and objects that creates open and transforming universes, bringing us closer to ecology from different perspectives.

2021/10/13 2022/02/14
The Political Dimension of The Invisible

Text elaborated by the Institute for Postnatural Studies that continues the line of research that arose thanks to the participation in the residency "El Aire Tiene Peso" at MediaLab Prado, developed together with the mediator and researcher Silvia Teixeira.

De-sterilising Design

This research traces the relations between hygiene, microbes and domestic design through the concept of sterilisation, shifting from a one-sided concern with human health to a postnatural perspective in which relationships between species come to the fore. To achieve a post-anthropocentric approach toward contemporary design, we propose looking at contemporary philosophers and scientists such as Donna Haraway, Anna Tsing, and Lynn Margulis to stop perceiving microorganisms as a threat in design and instead see them as our allies for interdisciplinary practices of co-designing.

Island of Simulation: A Tropical Playground

Island of Simulation: A Tropical Playground, a research project by artist Andrea Carrillo, explores the technological, ethical, and aesthetic implications embedded in the simulation of tropical ecosystems. The narrative is set against the Climatron, a geodesic dome greenhouse built in the 1960s in St. Louis, Missouri that attempted to simulate the climate zones of Hawaii, Java, the Indies, and the Amazon for research and spectacle purposes.

Archive
Precious Strata
Film Series
2021
Reprogramming Time
Residency
2020
Negative Commons
Conversation
2020
Nature's healing
Conversation
2020
Techno Nature
Conversation
2020
Pimoa Cthulhu
Residency
2020
Formafantasma
Conversation
2020
Island of Simulation: A Tropical Playground

Island of Simulation: A Tropical Playground

Date

2021

Typology

Video Essay

In collaboration with

Andrea Carrillo

Authors

Institute for Postnatural Studies

Lucía Millet

Lucía Pérez-Ugena

Duration

29 minutes

Island of Simulation: A Tropical Playground, a research project by artist Andrea Carrillo, explores the technological, ethical, and aesthetic implications embedded in the simulation of tropical ecosystems. The narrative is set against the Climatron, a geodesic dome greenhouse built in the 1960s in St. Louis, Missouri that attempted to simulate the climate zones of Hawaii, Java, the Indies, and the Amazon for research and spectacle purposes.

Island of simulation, Institute for Postnatural Studies.

The work draws upon the complex issues around the production of the landscape, revealing colonial logic and principles of exoticism, the relationship between power and spectacle, and how western knowledge has been legitimized through science, technology, and aesthetics mean. Fluctuating between fact and fiction, the work attempts to subvert the ways in which we come to understand this tropical landscape and speculate on new forms of approaching nature. Through the use of animism, multiple non-human sensibilities are brought forward, sharply manifesting a supernatural dimension linked to the body and the sensorial. The characters of the story; the dome, the plants, and the fake rocks, are able to weave narratives around the ethnocentric obsessions of reproducing mini foreign worlds in enclosed spaces, posing larger questions around our complex relationship to nature as an “Other”. Through desire, these characters attempt to seduce the audience as a way to bring the tension between the desire of the object and the absurdity behind it.

This project is part of the Institute for Postnatural Studies Composting Fields. A virtual platform that, through an experimental format of exchange, makes visible and puts in relation to the research of young thinkers and/or artists. It emerges from virtual encounters in which a dialogue is generated around specific research, previously developed by the guest thinkers and/or artists,  adapting its content to an informative format. These meetings generate performative videos that show the process of the conversation, where the object’s limits overflow. It also opens access to a bibliographic archive containing the materials worked on and consulted during the development of the project; it is a free and alternative platform of knowledge. This series is coordinated by Lucía Millet and Lucía Ugena.

Composting Fields #1: Island of Simulation by Andrea Carrillo in collaboration with IPS

Andrea Carrillo Iglesias (Mexico 1986) is a visual artist and graphic designer. Her work combines research practices and artistic production exploring the relationship between image, power and knowledge, as well as their effects on the ways in which our reality is socially and aesthetically produced. Her work fluctuates between moving image, immersive installations and performance. Carrillo holds a Master degree in visual arts from the Sandberg Instituut, Rietveld Academy, and a Master degree in Art, Design and Public Domain from Harvard University. She has exhibited her work in Mexico, the Netherlands and the United States, and is currently a member of Coopia cooperative.

"During the last few years my artistic work has focused on exploring notions related to landscape and nature, both at political, poetic and social construction levels.  Broadly speaking, my work explores the relationship between image, power and knowledge, and the effects on how our reality is produced socially and aesthetically. Within this framework, I present the Climatron project and case study"