Registrations Open
Postnatural Independent Program 2023

The first edition of the Postnatural Independent Program (PIP) will explore the new implications of postnature as a framework for contemporary creation. In the form of an experimental educational platform, we will speculate and question not only contemporary ecologies but also new academic approaches and radical notions of learning together.

2023/02/01 2023/07/16
Registrations Open
Hydro Futures / Memory Ecologies

Hydro Futures / Memory Ecologies is a program in which to explore the relationship between Afrofuturism and ecological thinking. Afrofuturism is a means to redefine the connections of land and space and to imagine kinships that can become technologies (as a way of connecting people), through water as an archive and time travel.

Registrations Open

We will play with the political potential of imagining new worlds through academic research and artistic proposals. In the process of creating desirable futures and collaborative healing, we may find unexpected joys that unite us in the contemporary ecological crisis. This experimental seminar requires active participation.

2022/11/17 2022/12/22
New Ecologies: Decentralizing the human through contemporary practices

This seminar will examine the glossaries that characterize new ecologies, analyzing inter-species articulations, cultural productions, ecological awareness, and the challenges of artistic, design, research, and curatorial practices in today’s climate crisis.

2022/10/19 2022/11/23
Mutability & Mutualism Vol. II

At the scale of the individual—the organism—Queerness is mutability: it is the power of transformation; of shapeshifting, fluency, and the freedom to move from form to form; of code-switching, mimicry, flamboyance, delight; of subtlety, grace, and the embrace of fluidity. It plays in contrast to rigidity, permanence, and stasis; to one way of being. It is a metamorphosis and a constant becoming.

2022/10/18 2022/11/22
Critical Earth Browsing: Virtual Postnatural Landscapes

We want you to travel and think with us. We invite you to be part of our first virtual research group. Join us in the browsing and investigation of some of the most interesting, complex and intriguing postnatural landscapes through six virtual journeys.

2022/06/22 2022/07/27
Mutability & Mutualism

To make sense of the broad constellation of practices that emerge from Queer Ecology, we examine at two scales: the individual and the collective. As we explore, the binary distinction between these scales quickly blurs and blends.

2022/05/17 2022/06/18
Encounters at the Edge

We believe that "the edge" can be one experimental space, and "thinking at the edge" one of the practices to enable us to open the possibility of thinking and imagining beyond the categories and boundaries that hold us captive.

2022/02/11 2022/09/15
Postnature and Contemporary Creation

The idea of a romanticized nature as a background scenario or neutral framework where human activity takes place is no longer valid and must be replaced by a broader and more complex reflection.

2021/04/20 2021/06/08
After the Future

This seminar consisted of theoretical and practical sessions that allowed us, by guiding us through different case studies, to prepare ourselves to resist the present and thus create a new earth for the world to come.

2020/10/20 2020/12/15
Acidic Waters

he seminar will have six sessions, which will focus on different aspects from which speculation can lead us to a fluid and proactive practice through this watery medium. Designers, writers, thinkers and creatives will share their practices and thinking during the conversations, open to participants, in order to understand the urgency of incorporating design processes into the contemporary ecological debate.

2022/03/31 2022/05/05
Echoes of the South

In the seminar Echoes from the South we will delve into research and practices that analyze and propose responses to the mechanisms, manifestations, representations and consequences that the colonial enterprise has provoked, from its beginnings to the present day, through the subjugation of nature as a commodity for the pursuit of its economic and political interests. Six authors will give voice to pre-existing and coexisting ontologies in different contexts, vindicating other histories that have been annulled through Western models.

2020/10/07 2020/11/11
Open Call
Composting Fields #3

Composting Fields proposes an experimental format of knowledge production whose aim is to give space to the work of young thinkers and artists. By the creation of a safe working space, it generates a collective exchange around a specific work. This process materializes in a performative video that illustrates the relationship between the thesis, the process of sharing and its links to Visual Culture.

2022/11/11 2022/12/04
Soft Matter, Deep Time

Through interventions in specific places in the environment and a series of devices that blur the natural and cultural lines, we invite the experience and estrangement to be part of a complex ecosystem. Soft Matter, Deep Time activates a multi-species framework where biology, geology, and fiction dissolve.

2022/06/30 2022/07/02
A Green Jade Lake

Through themes such as coexistence, botany, territorial politics, or aesthetics associated with the representation of nature, the exhibition is understood as a constellation of investigations, installations, and objects that creates open and transforming universes, bringing us closer to ecology from different perspectives.

2021/10/13 2022/02/14
The Political Dimension of The Invisible

Text elaborated by the Institute for Postnatural Studies that continues the line of research that arose thanks to the participation in the residency "El Aire Tiene Peso" at MediaLab Prado, developed together with the mediator and researcher Silvia Teixeira.

De-sterilising Design

This research traces the relations between hygiene, microbes and domestic design through the concept of sterilisation, shifting from a one-sided concern with human health to a postnatural perspective in which relationships between species come to the fore. To achieve a post-anthropocentric approach toward contemporary design, we propose looking at contemporary philosophers and scientists such as Donna Haraway, Anna Tsing, and Lynn Margulis to stop perceiving microorganisms as a threat in design and instead see them as our allies for interdisciplinary practices of co-designing.

Island of Simulation: A Tropical Playground

Island of Simulation: A Tropical Playground, a research project by artist Andrea Carrillo, explores the technological, ethical, and aesthetic implications embedded in the simulation of tropical ecosystems. The narrative is set against the Climatron, a geodesic dome greenhouse built in the 1960s in St. Louis, Missouri that attempted to simulate the climate zones of Hawaii, Java, the Indies, and the Amazon for research and spectacle purposes.

Precious Strata
Film Series
Reprogramming Time
Negative Commons
Nature's healing
Techno Nature
Pimoa Cthulhu
Soft Matter, Deep Time

Soft Matter, Deep Time


June 30th - July 2nd


Installation / Exhibition


Taller de Cantería

Casa de Campo


Javi Cruz, Jacobo Cayetano, Zuloark

Taller de Cantería, Roque Fermín



As part of Bosque Real 2022, curated by Jacobo Cayetano and Javier Cruz, we invite experience and estrangement to be part of a complex ecosystem, through a series of interventions at the Taller de Cantería de Madrid, blurring the line between nature and culture. Soft Matter, Deep Time activates a multi-species framework where biology, geology, and fiction dissolve.

Fog and Stone. Photo Institute for Postnatural Studies

A charged atmosphere that transforms reality into an amalgam of fiction, material, and temporal. The resting stones show the fatigue of the monument, the exhaustion of the stone to represent and symbolize the human. Sculpture asks to be stone, the hard mantle of the inert world, to lose its form.

On the head of a statue some plants sprout, which install their roots between the cracks of a granite mane. Ferns grow on a marble basin, before the reflection of waters of strange colors. Entering this space invites us to contemplate the fictitious strata of a time in composting. An abandoned landscape is reconstructed, a place that demands constant maintenance, demonstrating the complexity of attending to life in programmed chaos.

The place transforms time into the matter. It becomes stratification, an anarchic cosmology of pasts that opens to the possibility of infinite futures. A web of interspecies relations, a multiplicity of performative existences. Sculptures become geology, marble troughs become universes of stagnant waters and a termite mound orchestrates a summer sunset with its melody. Realities dissolve between the penumbra of a deep time and the elasticity of its soft matter. Through interventions in specific places in the environment and a series of devices that blur the natural and cultural lines, we invite the experience and estrangement to be part of a complex ecosystem. Soft Matter, Deep Time activates a multi-species framework where biology, geology, and fiction dissolve.

Daedalus at Dusk

A sand sculpture in the center, a mound of water, salts, and silica. Structures and organisms joined together, compacted, collapsing. The strange architecture of the grain, of the clast, of the clay. Sifted by stomachs of minute size, the defecated matter accumulates in overlapping particles. Crags and outcrops of earth. Tombolos. Isthmuses. Rocks pierced with deep holes.

Arms burrow into form, insects burrow into the matter. Digging, searching, piling up the layers of clay that compose it. Improvisation in anticipation of what will sound. What to find among the stone and dust. Aurally. To feel it sound like our own, a murmur that we cannot even hear. Another time, another frequency. To see, through our hands and feet, the sounds of the world, the turmoil of the earth itself, its voice reverberating in and out of us.

We are not alone; we never have been. All around us everything lives and breathes. Every speck of matter rustles in this vast body. It makes the world vibrate with life. Everything is connected to everything, all things are part of another. We too are things. We are all sculptors, humming, making noises, looking for the depths of the burrow as a possible escape from the labyrinth.

Daedalus at Dusk. Photo Irene Baqué

Eruca Leo

In the Erucas family, the petals grow in the shape of a cross. Its flowers, white to yellowish in color, have purplish cracks, they look like skins with veins that water the plant from the outside in. The erucic acid is an aphrodisiac, it awakened the drowsy in Virgil's poems. The queen flower, growing on the arugula, looks out in search of an insect that pollinates it. From among the wheat, seven lion's heads peep out. Like other felines, they cannot digest plants. They have neither enzymes nor a digestive tract prepared to break down their cellulose. Nor can their teeth crush them. They do not know how to ruminate. Between their stomachs and the flower, there is an impossible metabolism, an infinite distance; their matter will never mix. The lion observes the plant, between the stamen and the gastric juice the eye lights up. The pupils of the huge stone cat have stained a strong blue. For an instant, in its retina, visual digestion occurs, which intoxicates it and makes it blink. Then the flower dies.

Fog and Stone

In the center of the quarry sinks a blue cement vessel. Its edges are full of cracks, and fissures through which water seeps. An empty fountain cannot harbor life. In its walls, the echo of bugs is lost and the croaking of frogs disappears. When its pores are sealed, the emptiness becomes a container again. Concave space, home. The surface becomes translucent, the hollow is flooded with a milky liquid mixed with granite dust and organic matter. This mixture stains and opacifies the bottom creating an opaline mirror. Dust and water. White and green. Fog water and stone. Bringing a stony hole back to life. The puddle is the origin of the world.

A Thousand Blind Mammals

Long before there were flowers, the world was covered by a blanket of green. Primitive mosses, hornworts, and low-growing liverworts are rooted to the ground. The first ferns sprouted 360 million years ago: their vascular systems helped them transport water to their limbs to gain height. They are said to be living fossils, their leaves always the same, identical throughout history and time. When the heat comes, the plant rests at the root, it becomes invisible to the eye. Behind the piles is a trail of footprints, almost erased by mud. The king's horses bend their necks to drink from the marble. They return to the stables with wet mouths. Two carved and polished stones reflect their reddish veins in the water, and prehistoric plants sprout from the center. Ferns are poisonous to horses. To see a fern in summer is impossible. You can no longer see Alfonso XII's horses resting in the Casa de Campo. Human blindness. Equine blindness Horses drinking from the red marble fountain.

A thousand Blind Mammals. Photo Institute for Postnatural Studies

From a solid bowl, from an opaque rock

From an opaque rock, clear water gushes forth. The solid bowl contains the clarity. Drink, traveler. Pay attention. Drink.

Ursula K. LeGuin. Hard Words, The Eternal Homecoming.

From a solid bowl, from an opaque rock. Photo Institute for Postnatural Studies

There is a stone on top of a stone. There is a stone with a hole in the center, and a drop falling and piercing, slowly, and crossing it from side to side. Algae, fungus, yeast. Rust and lichen. On the rock, hairy and ceramic, the liquid mixes before becoming hard. The drop keeps falling and repeats the fall. The drop falls. One after another One after another. Another one. In the geological cycle, the drop is a beginning. In the eternal and constant cycle.

From a solid bowl, from an opaque rock. Photo Institute for Postnatural Studies

Deep Time

A column that resonates with the echoes of ordered chaos. It is a mountain of carved earth and rock, delimited and coded by strata of colors. Gray, white. Stone and cement. Brown Earth. Gray Cement. Plastic Pink. Plastic Yellow. Brown Black earth at the bottom, more earth on top. Gray. Stones, sand, and a small unrecognizable object peeking out. Each layer, very thin, includes part of the subsoil and the atmosphere, and houses all the biological activity of the Earth. The world decomposes, digesting decay. A circular compost that becomes hard over time. The column becomes stone. In anti-monument. Stratum and fiction. Nature and culture. An amalgam of intermingled layers blurs the boundaries and allows exchange.

Deep Time. Photo Institute for Postnatural Studies

Soft Matter

Inhabiting the earth can also be a loving gesture, a display of caresses, eroticism, and intimacy. To dare to be matter traversed by matter, to strip oneself of the human, to celebrate symbiosis, to be multiple, to co-inhabit.

The presence of a body among other bodies makes it wet and trembling. Each one has a different time, a unique history, and a material genealogy that intertwines. But they do not share a sensory structure. And yet water makes you wet. So does the earth. And the plants. It splashes in the encounter. The world is wet, warm, and fecund at this moment.

Many things will happen, a kind of dance that goes back and forth, and then back again. It has no end and no beginning. Or better, it ends several times and begins again. Another twist, a slow motion. Exchanges of energy in an open succession of movements, each one unique and plural. Each element has its own history and future, its own memory, its own rhythm, and its own way of thinking. Some move at a speed faster than any of their steps allow. Others are at a slowness that their body can never perceive or reach.

[Fig. Performer: Valentin Langlais] Soft Matter. Photo Institute for Postnatural Studies